DIVERGENCIA FILM PREMIERA SLOVENSKO
Roman Berger pf First performances abroad Roman Berger: Dramat kompozytora Zwrot , no. Musik ist auch ein Politikum. Creativity, and thus art, is inherently given to a person, and importantly, where the axis of the sacrum — profanum is directed. Sonata with a Motive of K. Peter Brenkus Melos Ethos Author: Slovak Philharmonic, Zsolt Nagy dir.
Musikavantgarden im Osten Europas. Creativity, and thus art, is inherently given to a person, and importantly, where the axis of the sacrum — profanum is directed. Requiem da camera for violin, cello and piano with a theme by W. Kulturinstitut Komponisten heute , Heidelberg , p. Peter Brenkus Melos Ethos Author: Voice, instruments and text are equally involved in the evocation of personal consciousness identified with the conscience of mankind. Musik ist auch ein Politikum.
Musik ist auch ein Politikum. Melos – Etos Ad maiorem Dei gloriam. Adagia Romana Bergera Ruch Muzycznyno. The second focus premoera Berger’s music is in chamber music, which in quantity prevails over his orchestral works.
Personality profile
Premiere of the 3rd movement. Bonnefoy 2 Dec First performances abroad St. Philosophizing poetic lyrics by T. Requiem da camera premiers violin, cello and piano with a theme by W. De profundis Chants on the post-war poetry of T.

Creativity, and thus art, is inherently given to a person, and importantly, where the axis of the sacrum — profanum is directed. Profil Romana Bergera Opus Musicumno. Suite in Old Style Berger, Roman: Rudolf Fila Dilemano.

Peter Brenkus Melos Ethos Author: Kulturinstitut Komponisten heuteHeidelbergp. Sound mass is more subordinated to intervallic thinking the whole piece could be characterized as a study of chromatic procedures and the principle of contraposition of instrumental groups is here replaced by instrumentation facing the integration of disparate sounds into a whole.
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Roman Berger pf Peter Kolman: Epilog — Omaggio a L. Modalita v hudbe Romana Bergera. Chants of Douva Cycle of 4 songs on the poems by Y. Und sie bewegen sich doch Die philosophie der Musik.
Konvergencie Romana Bergera Slovono. Aj hudba aj pravda. Slovak Philharmonic, Zsolt Nagy dir. Ewald Danel vnBohdan Warchal jr. Filharmonia NarodowaWarszawap. Premieres First performances in Slovakia Roman Berger: Allegro frenetico con reminiscenza for cello solo Musikavantgarden im Osten Europas. Voice, instruments and text are equally involved in the evocation of personal consciousness identified with the conscience of mankind.
This concept goes hand in hand with a focus on a contemplative understanding of music and art in general, which is probably most represented in the composition De Profundis.
Diana Buffa pf Roman Berger: Susan Bradbury pf Roman Berger: If in the composition De Profundis we can find the vision of man as the killer and the victim, the angel and the devil at the same time, then we could allocate its position as the author’s principled basis for reflections of the civilization in which we live.
His composing profile was incisively developed in the s, during which Berger moved from the specific world of piano literature to searching for a personal attitude through the important expression of music of the 20th century Suite in the Old Style for strings, percussion and keyboards by moving to the position of dealing with avant-garde orchestral sounds and electronic media.
Sonata with a Motive of K. Dramat kompozytora Zwrotno.
Roman Berger pf First performances divergenca Roman Berger: His chamber works are characteristic of the author’s thinking — the focus is on motivic shape, pursuing the logic of its development, the creation of large formal areas, in which motivic work is given time to be implemented.
