STELLA CINEMA RATHMINES TIMES


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The saloon-styled refreshments bar at the front entrance feels welcoming with its alluringly subdued lighting and restless atmosphere. It becomes clear that he is fixated on creating an invigorating experience that will resonate in the hearts of the audience. Geraghty is not oblivious to the threat of existing competitors on the Irish film scene. Emma Wilson Contributing Writer. Despite the stifling censorship that loomed over Catholic Ireland, the theatre opened its doors to the public in , offering some cinematic escape to the Irish people. Ultimately, in traditional Dublin fashion, everything changes and nothing changes. Servers in smart uniforms hurriedly take orders and fill yellow buckets with fresh, crackling popcorn as the public excitedly queue in the anticipation of viewing an old-world film. It continued to be a prominent social establishment throughout the 20th century, until it fell victim to the unyielding era of Xtravision.

The bustling activity is captured in the reflection of the antiquated mirrors, lining the walls of the narrow hallway that runs all the way to the screen room. Every conversation, whisper and laugh shared in this picture house is echoed in its physical revival and restoration. The theatre had become an outdated, forlorn enchantment and closed down in When asking Geraghty about the reaction of the public to the revamped theatre, he fondly recalls a particular encounter: Arguably, the Stella fulfils a distinct niche in providing a high-end quality experience that is unique to any existing provider. It becomes clear that he is fixated on creating an invigorating experience that will resonate in the hearts of the audience. Dusty, dimmed lampshades are partnered alongside crimson, leather armchairs with individual ottomans and blanketed beds, all facing the brilliantly broad screen.

The Stella Theatre Rathmines

Emma Wilson Contributing Writer. A large front window overlooks the bustling Rathmines rahmines street, with passersby utterly oblivious to the fact that you feel a million miles away.

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When asking Geraghty about the reaction of the public to the revamped theatre, he fondly recalls a particular encounter: It is not a prerequisite to be an avid cinephile in order to appreciate the wonder of the Stella.

Despite the stifling censorship that loomed over Catholic Ireland, the theatre opened its doors to the public inoffering some cinematic escape to the Irish people. Aptly, the screening room itself is breathtaking, showcasing detailed panelled walls clambering up towards the original ceiling. The service provided by the Stella is also immaculate, with personable staff serving pre-ordered nibbles and cocktails directly to your very own table, promptly arriving just as the lights fade out.

Now, inthe once-prestigious cinema held its long-anticipated re-opening on Halloween night, screening the fitting Hollywood classic Casablanca.

Geraghty is not oblivious to the threat of existing competitors on the Irish rthmines scene. The Stella Theatre, a memorable suburban cinema founded amid the zenith of the Irish Free State, has been given a new lease of life this autumn.

The Rathmines landmark has overcome its past tribulations to offer its audience the opportunity rathmlnes experience the golden age of cinema in a time defined by Netflix.

Hidden oak spring floors underline the vibrant monochrome carpet, originating back to a time when the room above the theatre functioned as a social dancehall in the s.

It exhibits bold art deco furnishings, along with a quaint outdoor terrace that is ideal for sipping on craft beers and film-inspired cocktails under the stars. The Stella experience is undoubtedly a hidden cinematic delight that we are graced with on our doorsteps. His lack of experience in syella film world is balanced with his infectious enthusiasm. Every conversation, whisper and laugh shared in this picture house is echoed in its timew revival and restoration.

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One can still capitalise stellz soaking up the euphoric atmosphere with trendy cocktails and snacks. The theatre had become an outdated, forlorn timees and closed down in Ultimately, in traditional Dublin fashion, everything changes and nothing changes.

Servers in smart uniforms hurriedly take orders and fill yellow buckets with fresh, crackling popcorn as the public excitedly queue in the anticipation of viewing an old-world film. It becomes clear that he is fixated on creating an invigorating experience that will resonate in the hearts of the audience.

A Trip Through Time, in Dublin’s Stella Cinema – The University Times

It continued to be a prominent social establishment throughout the 20th century, until it fell victim to the unyielding era of Xtravision. Dusty, dimmed lampshades are partnered alongside crimson, leather armchairs with individual ottomans and blanketed beds, all facing the brilliantly broad screen. Arguably, the Stella fulfils a distinct niche in providing a high-end quality experience that is unique to any existing provider. The bustling activity is captured in the reflection of the antiquated mirrors, lining the walls of the narrow hallway that runs all the way to the screen room.

The saloon-styled refreshments bar at the front entrance feels welcoming with its alluringly subdued lighting and restless atmosphere.